In 1999, the landscape and figure painters of the Meissen manufactory presented an impressive example of chinoiserie painting in the style of Höroldt. A wine jug and a beaker were imaginatively decorated with sepia-toned figures placed on golden pedestals. The painters found some of their inspiration in a number of the 125 surviving sheets of the so-called Schulz Codex, a collection of drawings depicting the everyday life of the Chinese during Höroldt’s time. These had been rendered in the original by Höroldt and his assistants using sepia-colored thorn ink on yellowish-brown laid paper. The collection received its name from a collector who assembled it. The depictions derive considerable charm from the fact that they were created from the perspective of 18th-century Central Europeans who had never visited China.